I Said I'd Make Trash Movies, So Why Is This Game of the Year?

Lu Fan, a director of flops, awakens a film-making system—only to find himself transported to a parallel world, a cultural wasteland, where he becomes a game developer in Great Xia. While Silicon Valley tech giants are still making Sudoku and match-three puzzles, Lu Fan applies his "trash movie" philosophy to transform Earth's cinematic classics into games, subjecting players to the ultimate torture. Survive in a Shawshank prison sim while fighting underground bouts alongside twin sisters. Race the Batmobile through Gotham against the Joker. Invite Snape to endorse shampoo at Hogwarts. Ride a T-Rex along the Jurassic World shoreline to battle a Mosasaurus. And hesitate helplessly as Hannibal graciously offers you a platter of raw brain sashimi... "You said you'd do anything? How much resolve did you have when you said that? Have you reflected today?" With a newly bound national-rivalry mission, Lu Fan flashes a devilish grin—Sakura wants to expand its shipbuilding industry? Here's a little something called Triangle. The Frost Nation is running nuclear tests again? Allow me to introduce Godzilla. Play this Wolf of Wall Street and have a good hard think about your finance, White Eagle!... At the Game of the Year awards, facing accusations of cultural invasion from international media, Lu Fan pulls out his blockbuster 3A title—Let the Bullets Fly—with a deadpan expression. "What if I told you I'm just a director of trash movies? Would you believe me..."