A Hero Can Choose Not to Live, But Cannot Live Without Purpose

In the twilight of 1458, on the eve of the apocalypse, Quinn—a shameless otherworldly transmigrator, a treacherous human insider, and a lackey of the Demon King—makes his escape. When confronted about his betrayal and asked if he feels any guilt for abandoning the gods who nurtured him, Quinn remains utterly unmoved. He dismisses the impending demonic invasion as irrelevant to his personal agenda, coldly stating that killing the so-called "Hero" was merely part of his job description. Quinn outlines his reasoning with brutal clarity: first, the apocalypse is the gods’ problem, and he refuses to clean up their messes under the guise of gratitude; second, as an outsider to this world, he owes nothing to its inhabitants or their survival; and third, his true priority lies elsewhere. With a bride in a wedding dress waiting for him, he plans to return to Earth with his gold, enjoying a warm home, a wife, and children, leaving this "stupid otherworld" behind without a second glance. By 1460, humanity has surprisingly survived the doomsday scenario. Historical records now hail Quinn not as a traitor, but as the Supreme God-Slayer, President of the Abyss, the Embodiment of Perfect Law, a Pianist, the Bane of Demon Kings, the Ninth Otherworldly Traveler, the Lord of Cinder, and the Final Hero. Upon his triumphant return, however, the man who saved the world utters only one bewildered complaint: "Damn it, how did a perfect villain script turn out like this?"