Entertainment: This Star Has Class

Xu Mo transmigrates to a parallel world, Blue Star, and awakens the "Great Entertainment" system. He soon discovers that the works of the greatest artists are created without caring about the fans' reactions. Thus emerges an artist whom audiences both adore and despise. Fans proudly showcase his lyrics—flawless, elegant, textbook-worthy—until "Moonlight over the Lotus Pond" pops up and they wonder why their grandmother's playlist has infiltrated. They rave about his novels—the characters, the plot, the IP he could mine for life—only to ask where their beloved Sherlock Holmes vanished. They applaud his period dramas—the scripts, the costumes, the dialogue, proof that cultural workers need culture—then confront the baffling "My Own Swordsman," a wuxia comedy like no other. Bystanders comment: "Are you fans and your idol having a tug-of-war between your left and right brains?" "It's not that I don't understand—it's that Xu Mo changes too fast!" "This man has submerged himself so deep in his art that he can't be rescued." In the end, everyone can only say: this star has class.